Architect Antonio Gaudi Essay

The fly the coop of Antonio Gaudi can be seen as visionary. in the lead of his time in many respects, it becomes clear when viewing his work that he influenced many of the great subversive artists of the early 21st century. The significance of his life-works as an artist and particularly as an architect reveals extraordinary contributions to the archetype processes of the Modernists. Looking at some two of his architectural pieces, we can discover an entirely new kernel to architecture altogether. Antonio Gaudi displays many of the fantasy elements indicative of the Surrealist parkway, although his work was categorised as finesse Nouveau.His progression from Art Nouveau to near-Surrealist work can be seen in comparing the reasonably modest terrestrial time Guell (1886-1890) to Casa Battlo (1906-1908). Palau Guell is a grand scale expression of extravagance which still has many of the attributes of Classicism. It is beautiful and decadent with every conniption of glamour and frivolity related to the Art Nouveau period. Gaudi, I feel has restrained his imagination in the smack that he has not indulged in the same fantasy world we see in his later works.The Palau Guell is almost a modern incantation of the ancient Greek and Roman Colloseums. Casa Battlo represents a rather quaint perspective of the chaste movement itself. The Casa Battlo in its design resembles more of a candy-castle than a executeal building. The exterior of the building is scattered with ceramic designs that Gaudi had plastered into the facade. At face value this gives the viewer a sentiency of the early(a) world, a place where children go in their dreams. This was in fact, in my opinion, the beginning of the Surrealist manifesto.all in all out of keeping with the original idea of architecture, Gaudi creates a building that not only performs a function but contributes to the aesthetic value of the surroundings into which it is placed. The roof of the Casa Battlo is covered in wha t appears to be scales, almost aquatic in its construction, but at the same time not intrusive. At this stage it is difficult to invent in ones own mind whether you like it or hate it. The balconies extending from the large bay-windows are also intricately carved and resemble to a degree, alien-like heads with large gaping eyes.The vision of Art Nouveau as outrageously decorative, embellished and humourous is clearly visible in this particular piece of Gaudis work. The exploration of the fantasy world gives it an supernatural feel of something out of the fairytale Hansel and Gretel and can make you fell uneasy. In the strict sense of the intelligence service influence, I can be certain that I see the predecessor to the Surrealist movement in Gaudis work. The idea of dreams rather than reality begins to emerge in his later work which is passionately infused with extravagantly decorative mosaics and other ceramic artefacts.If one takes into account the impression Art Nouveau want ed to make, I mean Gaudi surpassed it with the kind of architectural eloquence worthy of being called a visionary. Art Nouveaus mantra of snubbing unpolluted rigidity was flouted by Gaudi and his contemporaries and led to the influence of architectural movements such as Bauhaus and sculptural artistic endeavours such as Tatlin, Dali and Leger. The previous attempts at breaking from traditional art as explored by the Impressionists served to provide a more fertile mind in terms of the architecture of Gaudi.In Gaudis work we see the expression of the mind in tactile form. Looking at the features built around Guell Park, evidences of the movement into the exploration of colour in architecture is also visible. The water fountains are embellished with mosaic fish and other aquatic-like creatures that by some peoples standards would be described as kitsch. However, for me this fantasy world does exactly what it was intended to do create a feeling of euphoria and joy. It is not functio nal beyond the aesthetic. Gaudi is up of his time.